How did you use media technologies in the construction and research, planning and evaluation stages?
Sunday, 19 February 2017
Evaluation Question 1
In what ways does your media product use, develop or challenge forms and conventions of real media products?
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![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbH-T7UiOi2bz3AM3ZvpjYNuK_1CJ2DlsN5H80OL41bgCubWcBJ8Yqa5BW-OYhjHQmUZOWUEdYe6ePnHBEYVgdPJrOeUPahXB_ujkqcCjWHS9vz22n81IOnyfCTYvDj64DqZc4Ns-AUHoD/s320/Poster.png)
Within our genre, R&B, women are commonly
depicted as being rather sexual and promiscuous. This is something that we
wanted to challenge within our music video, and rather have our artist as a
powerful figure instead of the typical, erotic type. We challenged this
throughout our music video and our ancillary texts in many ways, one of the ways
that we done this was through the costume choices. We decided that wanted Mikah
to wear clothes that didn’t seem sexual which is why we dressed her in a jumper
and jeans for most the music video and ancillary texts. Although they made Mikah
seem modest, it also allowed her to be stylish and continue to appeal to our
target audience. On the other hand, some of the clothing did conform to the
typical R&B genre conventions. This was through both Mikah and Chrissy
wearing a cropped hoodie that showed off the midriff. Although it isn’t a large
portion of their bodies, it is enough for them to be portrayed as sexualised.
This isn’t something that we wanted to do but due to it being a stylish outfit
for them both to wear we decided to stick to the decision. We also looked at it
in a positive light because it is something that people are used to seeing in
an R&B music video so it wasn’t something that would deter the target
audience. Through this we then were able to continue to gain popularity and
could also portray Mikah and Chrissy as the strong female individuals that we
wanted to present them as.
With our camera angles, we decided that we wanted
to use a variety of both long shots and close-ups in order to show Mikah as a
strong feminine character. We done this through using close-ups of Mikah’s
piercings to show off her trademark. This conforms to the typical ideas of a
R&B music video because there are normally a lot of close-ups shown of
women i.e. Rihanna’s Work video. However, this is usually done to show the
female as a sexual object which is something that we subverted because we in
fact used it to show her as independent, and as a role model. Although
piercings can be seen as deviant, because of the lyrics talking about wanting a
‘gangsta’, we didn’t see the problem of using them as a trademark. This is also
similar to Kehlani, the original artist. It can be argued that Kehlani’s
trademark is in fact her tattoos, which then shows us subverting the typical
R&B stereotype because it is usually the males that have the tattoos, not
the females. We also used long shots to
show Mikah as a strong individual. We done this by giving Mikah a baseball bat
which can be seen within some shots of our music video and in the images used
for our digipak and poster. We chose to give Mikah the baseball bat because not
only does it link to the original movie for which the soundtrack was made for
Suicide Squad, but it also shows that Mikah can defend herself and that she is
a strong female. The use of the baseball bat within the long shots shows a
different side to Mikah that the audience wouldn’t see in the other shots.
These long shots showing Mikah’s weapon can be linked to Rihanna’s Needed Me
music video in which she uses a gun to defend herself and ultimately kills
someone. Both this music video and our music video link together because they
both have a narrative of a ‘gangsta’ lifestyle either in the lyrics or the
video. Both also show some sort of glamorisation around the weapon. For
example, we have Mikah posing and holding a bat causally where it could
sometime be feared. This is the same as in Rihanna’s music video as she poses
in a luxurious gown on an apartment balcony with a gun which again could
sometimes be feared. They also link because in one scene Rihanna can be seen dragging the gun across the window. This is similar to our shot of Mikah dragging the bat along the wall in Leake Street. Although it seems as though Mikah conforms to the typical R&B genre because of the similarities between our music video and Rihanna's, it also subverts because this isn't the typical thing that you would see within a female's R&B music video.
In terms of editing, we decided that we would use quick cuts
and longer cuts to create ‘thought beats’ and put Goodwin’s theory in practice.
We done this is scenes where we made the shot ‘jump’ so it repeated on itself. This
was then followed by a longer shot which was slowed down. We used a lot of slow
motion shots within our music video to create perfect thought beats which we
thought were really effective. This then subverts from the typical R&B
music video because the tempo of the typical R&B song isn’t normally as
slow as ours. We liked that this subverted the typical R&B conventions
because it means we get to create something unique.
Due to our low budget, we weren’t able to film in a studio
like the typical music video. This meant that we had to go out and find places
that we thought would fit our theme well. This was quite hard as there aren’t many
easily accessible places that contain graffiti that is either safe to go or are
open to the public. This was a similar situation to the setting/location of a dilapidated
building or warehouse. Fortunately, after extensive research, we were able to
find a few places that would make the perfect location for our music video. These
locations did in fact subvert the stereotype of a typical R&B music video
because R&B videos are typically romanticised which ours isn’t, meaning
they aren’t the typical locations which would be featured.
For our digipak, we wanted to completely subvert the typical stereotypes of a typical R&B digipak. Normally, for a female artist, close ups of their face with a sexual gaze into the camera, typically photoshopped or airbrushed to make their face look flawless. This can be seen in digipaks such as Rihanna and Katy Perry. We didn’t want our artist to be represented like this because we wanted her to be a aspirational role model to our target audience of females aged 16-22. We did this through presenting her as a strong female that can be independent and is able to defend herself.
Overall, I feel that our ancillary texts have been successful in creating our own unique stamp on the R&B genre by subverting a lot of the typical conventions in order to appeal to our 16-22 year old target audience even though in some element, we didn't conform to the expectations.
Behind the Scenes - Editing
This first picture is us editing our clip to stop it from looking as shaky using the stabiliser tool.
The next picture is us editing Chrissy's dancing using the slow motion tool to make the dancing fit the tempo of the song.
This picture is then of us editing in the close up of Mikah's hand which appears later on in the music video.
This picture is of us cropping a clip to make the shot look for close up.
Behind the scenes- Filming
During our filming, there were a few technical difficulties had when it came to our filming. One of these was the camera quality. Initially when filming, we thought that the quality of the camera was at a great standard. However, when we uploaded our footage onto the computer, the footage seemed to be rather blurry. We weren't able to change this is in some of our shots that we had already filmed, but instead changed the camera to that of a professional quality when filming later shots.
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For our final day of filming, we chose to film Mikah driving whilst singing in the Medway Tunnel. We found some difficulty doing this because we had to make sure that we got steady shots although the road was bumpy and there were turns around roundabouts etc. Although the lighting outside of the tunnel made for really effective shots, the bright lights inside of the tunnel weren't as good as we would have liked them because the lighting was a sort of yellow colour, which didn't fit into our theme or style that we wanted to create.
Thursday, 16 February 2017
Behind the Scenes- Directing
Tuesday, 14 February 2017
Final Product - Gangsta Music Video
This is our final product for our music video 'Gangsta by Mikah'.
Friday, 10 February 2017
Selecting Ancillary Images
When looking at our ancillary texts, we had to make sure that we selected the right one in order to show our artist the specific way that we wanted her represented. We all decided that we wanted Mikah in a dominating position which is why we wanted her to have the bat included within the picture. We also wanted Mikah in the similar style of clothing that she has worn throughout the music video which is why we chose the cropped hoodie and black jeans. Although the cropped hoodie conforms to typical R&B conventions, the pictures of Mikah make it seem like she has a longer hoodie on, thus covering her midriff and subverting the sexual R&B stereotype. We also wanted Mikah to look natural within the pictures which is why we let her get into positions that she felt the most comfortable in. This is why you can see within the pictures that she is sitting down, has her hand on her head and has the bat cover her body. Although this body language may seem as though Mikah is shutting herself off to the public, we thought that having her look natural and comfortable within the pictures allows for her to connect with the target audience and to show that she is a normal person just like them. As you can also see to the right of this writing, we got some close up shots of Mikah and her piercings. We done this because we wanted to show off her 'trademark' that Goodwin said helps an audience to recognise an artist. Due to Mikah's piercings being her trademark, we wanted her to have her hair up and to do a few close ups in order to showcase the trademark we want her to be known for. However, we decided that we didn't want to use the images on our ancillary texts because it didn't particularly look as good as we wanted it to and it didn't really fit in with the rest of the digipak/poster which was unfortunate.
Thursday, 9 February 2017
Final Digipak Design
This is our final digipak design for our EP
'Gangsta by Mikah'.
Front cover
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFeCgmBLJFh6MV3IY2C4uNTSyGSMTQc0f19n1QZqt8vwXZAUppjnguLNE7WYL4ad9swkoDRVY6l_D8XFSIadb88M7Nj9G_1544o3tpku7v2gCfywjsp2OHfAmji3835Igz68FNaO8Jm3Q/s1600/fg.png)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFeCgmBLJFh6MV3IY2C4uNTSyGSMTQc0f19n1QZqt8vwXZAUppjnguLNE7WYL4ad9swkoDRVY6l_D8XFSIadb88M7Nj9G_1544o3tpku7v2gCfywjsp2OHfAmji3835Igz68FNaO8Jm3Q/s1600/fg.png)
Inside lyric page
Spine
CD
Back cover
Wednesday, 8 February 2017
Digipak Research
Below is a slideshare presentation that I have created on Digipak Research I conducted in order to give me ideas about the digipak that I will be creating.
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